A dança do ventre e o empoderamento feminino
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Data
2019
Autores
Baltieri, Marjorie Esteves
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Editor
Universidade Estadual Paulista (Unesp)
Resumo
A dança do ventre é muito mais do que apenas uma modalidade de dança, é uma manifestação artística e cultural árabe repleta de misticismo, encantamento e magia do Oriente. Essas características da dança do ventre têm certa base de realidade, mas não explicam plenamente a totalidade desta manifestação artística e cultural, pelo menos, no que diz respeito ao valor desta dança para mulher que a pratica. Desta forma, o objetivo deste trabalho é realizar uma pesquisa de cunho bibliográfico, que oportunize a reflexão acerca da função e importância da dança do ventre para a mulher, na mobilização de sua própria expressividade. Para tanto, partimos de uma análise histórica desta prática da dança e sua contextualização na realidade brasileira. Utilizou-se do referencial da cartografia – como procedimento investigativo para ir além deste percurso histórico, de modo a operar um movimento de reflexão digressivo, que considere essas características preconcebidas – que advém do âmbito da cultura – mas que também busque elucidá-las de outras formas, de modo a focar não só na relação desta prática com a audiência – o espectador que aprecia e se embriaga na pura expressão erótica e sensual desta dança – mas também, e principalmente, na relação desta prática com uma dimensão mais estética e existencial, que aponte para certo empoderamento feminino, muito maior do que aquele que retrata o jogo da sedução e o regime erótico da conquista.
The belly dance is much more than just a dance mode, it is an artistic and cultural Arab manifestation full of mysticism, enchantment and magic of the East. These characteristics of the belly dance have a certain basis of reality, but do not fully explain the totality of this artistic and cultural manifestation, at least, with respect to the value of this dance for woman who practices it. In this way, the objective of this work is to carry out a bibliographical research that offers a reflection on the role and importance of belly dancing for women, in the mobilization of their own expressiveness. For this, we start from a historical analysis of this practice of dance and its contextualization in the Brazilian reality, but much beyond this historical path, we are interested in operating a movement of digressive reflection, which considers these preconceived characteristics - that comes from the scope of culture - also seek to elucidate them in other ways, so as to focus not only on the relation of this practice to the audience - the spectator who appreciates and becomes intoxicated in the pure erotic and sensual expression of this dance - but also, and especially, in the relation of this practice with a more aesthetic and existential dimension that points to a certain feminine empowerment, much larger than that which portrays the game of seduction and the erotic regime of conquest.
The belly dance is much more than just a dance mode, it is an artistic and cultural Arab manifestation full of mysticism, enchantment and magic of the East. These characteristics of the belly dance have a certain basis of reality, but do not fully explain the totality of this artistic and cultural manifestation, at least, with respect to the value of this dance for woman who practices it. In this way, the objective of this work is to carry out a bibliographical research that offers a reflection on the role and importance of belly dancing for women, in the mobilization of their own expressiveness. For this, we start from a historical analysis of this practice of dance and its contextualization in the Brazilian reality, but much beyond this historical path, we are interested in operating a movement of digressive reflection, which considers these preconceived characteristics - that comes from the scope of culture - also seek to elucidate them in other ways, so as to focus not only on the relation of this practice to the audience - the spectator who appreciates and becomes intoxicated in the pure erotic and sensual expression of this dance - but also, and especially, in the relation of this practice with a more aesthetic and existential dimension that points to a certain feminine empowerment, much larger than that which portrays the game of seduction and the erotic regime of conquest.
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Palavras-chave
Dança do ventre, Empoderamento feminino, Práticas corporais, Bem-estar, Belly dance, Female empowerment, Corporal practices, Welfare